THE
HOUSE AT THE END OF THE BLOCK
Sam
Loward's funeral was a very short one and there was only
a few mourners beyond Loward's mother and his cousin
Lisa. Sam really did not know many people.
He
really did not care to know many people. Lisa
was glad that it was finish early in the day.
Aside
from wanting to get away from the depressing atmosphere
of the funeral home she wanted to get to the business of
cataloging the artwork of her cousin Sam.
She
wanted to get it over with as soon as she could.
Sam
Loward's small home was at the very end of a dead end
street in one of the older parts of town. It was all
alone there since the other houses around it burnt down
to the ground in a huge fire that swept through the
neighborhood about five years ago. It was a strange
miracle that Sam's house was not touched by the flames.
The
other houses were not rebuilt due to a series of on going lawsuits
over the fire. Loward did not seem to miss having
neighbors at all.
Lisa
drove into the driveway. She sat in the car for a little
while. She was feeling strange. She came to this place
about once a month over the years to look in on her
cousin Sam. She felt it was a duly as a close relative to
check up on him. He almost never left the house except to
go to work. It seem odd to her to be there knowing that
Sam would not be home and never would be there again.
An
odd feeling came over her. It was the same feeling she felt during
the funeral.
She
got out of the car and walked across the unkempt lawn of dry dead
grass and walked up to the door of the small house of white peeling
paint. In all the time Sam lived there he never painted the house.
Know Sam she thought he just never cared that the paint was peeling
or that the grass was dead. Those were not things he cared about.
She
had no real wish to be there if Sam was not there. She
was there only as a favor to her aunt. For more than ten years Sam
had locked himself in this little house and worked on his paintings.
Those paintings were his whole life. He left the house only to work
and worked only to pay rent and buy art supplies. Sam's
mother had never liked Sam's paintings which she consider
unwholesome and wanted them out of the way as soon as
possible. Had Lisa not talked her out of it she would have
had all the paintings burned in one large bonfire.
Lisa
being an artist herself could not allow the paintings to
be burnt. It was unthinkable to her to destroy the lifetime work of
any artist. Beside it was her cousin Sam who taught her to draw. She
owed it to him to save his artwork. They were the only things that
had matter to him. He really had nothing else. He really wanted
nothing else.
Lisa
unlocked the door and after a half a minute of thinking
it over she walked into the house. It was like walking
back into the funeral home.
Inside
she found the living room as always bare of furniture
except for a chair and a large wood table. On the table was a pile of
art supplies and paints just sitting there waiting in vain for Sam to
come and use them again.
Lisa
made a mental note to herself to take them for herself
before she left.
Other
than those few items the room contain hundreds of
paintings. They were piled one against the other along
the walls of the living room. A dozen of the best were
framed and hanging on the walls of the living room and
the other rooms in the small house.
Most
of the pictures were only in black and white. Some had a
little gray and maybe some red. Only a few were in full
color. All the pictures were of monsters.
Demons, giants,werewolves, and many indescribable. No
people. Sometimes something half human appeared in Sam's
canvas fantasies.
Lisa
thought back to the time her cousin Sam first started
those paintings. He was about 13 and she was eight. Sam
as a young man use to watch reruns of the old black and
white monster movies on television. As far as Lisa knew
he never bother to go out to see a movie in a theater.
He never seem to leave the house.
He
taught her to draw the monsters he drew. Over the years
Lisa practiced her artwork and became a commercial
artist. Sam never progressed beyond drawing the monsters. He did not want to. The monsters were his one obsession
in art and in his life. From between the age of 13 he
rarely left his home except for school. He would not
have gone if he had not had to.
He
never went out on weekends or out for dates. Lisa wondered if he
ever wanted to go out on dates. She could not imagine him talking to
a woman.
Day
after day as a young man he sat in his room making
sketches of monsters. After sometimes 20 or 30 sketches
he would slowly make a painting from those sketches. He
would work and rework a painting till he got it just the
way he wanted.
At
age 20 he moved away from his mother's home. She wanted
him to stop painting and take some interest in life
outside of painting. She wanted him to travel and meet people. She
felt his artwork was a sick substitution for a normal life. She was
right of course.
But
he did not care about leading a normal life. And he did not want to
listen to her nag him about it.
He
wanted no one to interfere with his painting. He got
himself a job dish washing at a restaurant and rented
this small house so he could paint in peace.
His
mother rarely saw him after he moved away. Once a year he would mail
her a card on Mother's Day. He only lived six blocks from her. The
post office where he bought his stamps was seven blocks away.
Only
his sudden death in that bus crash could make him stop
painting. Only his death could separate him from his
artwork. When his life flashed before his eyes in those
last few seconds he most likely saw his paintings.
Lisa could feel Sam's presents in the small living room.
Lisa did not believe in ghosts. But she did have a
strange feeling as if he was in the room with her. As if
he was unwilling or unable to part from his paintings.
They were his whole life. He would have never willingly
left them behind. Only death could make him do that.
They should be out where the public can see them. Lisa
thought. When an artist dies his work stays behind to
tell the world he was here.
Lisa
then went about the business of cataloging the paintings
for the art dealer. She hoped Sam's paintings would find
their way into the hands of those who would enjoy them.
Otherwise they would end up in the back of Lisa's garage.
After
hours of sorting through the paintings she was surprise to find one
painting that was not of a monster. It was hidden alone in a closet
as if Sam did not want any one to see it except for himself.
It
was a painting of Lisa as a young woman.
THE END.
Copyright 2015 By Teel.